What Equipment Is Needed to Play Flag/Touch Football?

Flag football is a popular variation of American Ffootball, which replaces the roughest forms of contact, particularly tackling

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, with nylon belts with attached flags, which may become detached when pulled. After a player in possession of the ball has had his flag detached, the player is then “down” as if the player had been tackled. Other variations include “touch” football

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, which simply counts a down as a defender touching the player in possession with their hands.
Flag belts are essential to any flag football match, distinguishing the game visually and effectually from normal football. Flag belts come in two general styles: simple flagged belts that detach at the buckle when pulled on, and “sonic” flagged belts that emit a noise when the flags are detached. The simple non-sound emitting belts are relatively cheap and easy to use for amateur play. The sound emitting belts aid in establishing downs and are better suited to leagues and official play, where more precise measurement is necessary. Sonic belts are endorsed for play by several major flag football associations, including the International Women’s Flag Football Association, World Cup of Flag Football, and the United States Flag and Touch Football League.
Any flag football game requires a football. You will want to choose the proper sized football for your game or league, depending mostly on the age of the players and whether the game is casual or part of a formal league. Sizes vary between juniors and adults, with different patterns on footballs affecting grip, texture and durability.
Two different colored jerseys are needed to distinguish teams from each other. Flag football jerseys can be as simple as mesh primary colored shirts, or as complex as standard league football jerseys, depending on the level of play. While variations of team jerseys are possible, such as “shirts and skins” or personal T-shirts of uniform color, more organized forms of flag football are likely to have standard colored mesh jerseys at minimum.
Depending on the level of formality of the game, additional equipment may be required. If playing without a full length fully marked football field, cones may be used to mark off end zones and sideline boundaries. Additional football equipment such as football cleats, helmet, or light padding may also be necessary. Despite the light-hearted nature of touch or flag football, padding or other protective gear can be necessary per league rules, particularly if the league allows for physical contact. Be mindful that while some leagues may encourage padding or additional athletic gear, others may prohibit it. It’s always best to check the rules of your league or game before playing.

Henri Colpi

Henri Colpi (Enrico Colpi) est un monteur, scénariste et réalisateur français né le à Brigue en Suisse et mort le à Menton (Alpes-Maritimes).

Après des études de lettres à Montpellier, il suit les cours de l’IDHEC. Il se fait connaître comme monteur au cours des années 1950, collaborant notamment avec Charles Chaplin, Alain Resnais et Henri-Georges Clouzot

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.

Il a longtemps enseigné l’art du montage à l’Institut national supérieur des arts du spectacle et des techniques de diffusion de Bruxelles.

Son premier film Une aussi longue absence, sur un scénario de Marguerite Duras, obtient la Palme d’or au festival de Cannes 1961 après avoir reçu le prix Louis-Delluc l’année précédente.

Ami proche de Georges Brassens depuis leur adolescence à Sète

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, il est l’auteur des paroles de la chanson Heureux qui comme Ulysse (BO du film éponyme) interprétée par Brassens sur une musique de Georges Delerue. Toujours sur une musique de ce dernier, il a également écrit Trois petites notes de musiques, chanson interprétée par Cora Vaucaire dans son film Une aussi longue absence.

Il est inhumé au cimetière marin de Sète, non loin de la tombe de Paul Valéry.

Sam Hunt

Sam Lowry Hunt (born December 8, 1984) is an American singer, songwriter and former college football player. Born in Cedartown, Georgia, Hunt played football in his high school and college years and once attempted to pursue a professional sports career before signing with MCA Nashville in 2014.

Prior to his successful solo career, Hunt was credited for writing singles for Kenny Chesney, Keith Urban, Billy Currington, and Reba McEntire. His debut studio album, Montevallo

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, broke several chart records with five singles spawned from the record, including three consecutive Hot Country Songs chart and four Country Airplay chart number ones. The lead single from the album, “Leave the Night On”, peaked atop concurrently on the Hot Country Songs and Country Airplay charts, bringing Hunt to be the first country music artist in 22 years, after Billy Ray Cyrus, to reach the top of three country music charts simultaneously since the Nielsen SoundScan-era began. He is also the first country music artist since Clint Black to occupy both year-end number one album and single with Montevallo and “Take Your Time”. The fifth single, “Make You Miss Me” women skater dress, from Montevallo hit number one on the Country Airplay chart, thus making Hunt the first solo male artist to land four number ones on the Country Airplay chart from a debut studio album.

Upon the launch of his career, Hunt has quickly assumed recognition from both inside and outside the country music community for his boundary-breaking artistry, incorporating use of R&B and pop into the production and songwriting of his songs. He has been honored with numerous awards, including one American Music Award, and one CMT Music Award, as well as nominations for Billboard Music Awards and Grammy Awards.

Hunt was born on December 8, 1984 in Cedartown, Georgia, United States, the eldest of three children born to Allen and Joan Hunt, an insurance agent and a teacher respectively. He studied at Cedartown High School where he played football. He was named 2002 Co-Offensive Player of the Year, was selected for the Georgia Sportswriters Association All-State Class AAA first-team as an all-purpose player, and was a Wendy’s High School Heisman nominee.

He was a quarterback for two years at Middle Tennessee State University and two years at UAB where he majored in philosophy before graduating with a business degree in economics. He had limited action in six games with Middle Tennessee; at UAB, he started only seven games during the 2006 season due to injuries. After practice every day, he would teach himself how to play acoustic guitar. With respect to the root of his interest in music, Hunt recalled between stops in tour, “I never saw myself as a musician or having any musical talent.

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.. I was just killing time that summer, and a buddy had recently bought a guitar. I picked it up one day and on a whim thought, ‘You know, I think I want to buy a guitar.'” Hunt’s college roommates, having listened to a few songs he wrote, encouraged him to book shows at bars, marking the start of his pursuit of a career in music.

After graduating from UAB in 2007, his football talents were noticed by the NFL and he was invited to training camp with the Kansas City Chiefs. “I knew this was a once-in-a-lifetime opportunity, and I needed to find out if I could take it all the way,” Hunt said. In 2008, two months after the unsuccessful attempt to impress the football team, to the surprise of his family and friends, he left to pursue a music career, and moved to Nashville along with a friend with only “some food and two mattresses and […] his mom’s minivan”.

Hunt co-wrote Kenny Chesney’s 2012 hit, “Come Over”, for which he received an ASCAP award. He also wrote two singles released in 2014: Keith Urban’s “Cop Car” and Billy Currington’s “We Are Tonight”. Hunt independently released the single, “Raised on It” in September 2013 and in October 2013 he released via his website a free 12-song mixtape, titled Between the Pines. Hunt also co-wrote “Love Somebody”, the title track from Reba McEntire’s twenty-seventh studio album of the same name.

In January 2014, it was confirmed that he had signed a recording contract with MCA Nashville. On August 12, 2014, he released X2C, a four-song EP, intended as a preview of his debut studio album. The EP debuted at number 36 on the Billboard 200 chart and number 5 on the Billboard Top Country Albums chart, selling 8,000 copies in its first week.

Hunt’s first single for MCA was “Leave the Night On”, which went to number one on the Country Airplay chart in October 2014 and has since been certified Plantium by the Recording Industry Association of America (RIAA). The music video for the song earned Hunt two CMT Music Awards nominations, winning him Breakthrough Video of the Year, as well as one Billboard Music Award nomination. His debut studio album, Montevallo, was released on October 27, 2014. On the same day, Sam Hunt released Between the Pines: Acoustic Mixtape. The album is made up of acoustic versions of his hit songs including his versions of ones that he wrote for other artists. Universal Music Group Nashville president Cindy Mabe explained the date of the release: “The idea was to release it on the same date that Montevallo was released [in 2014] as a one-year anniversary gift to fans and Sam’s way to offer more music and a thanks for the support.” On November 5, 2014, Montevallo debuted at number one on the Top Country Albums chart and number 3 on the Billboard 200 chart. It opened with 70,000 units sold. The album included his own version of “Cop Car”. The second single from the album, “Take Your Time”, peaked at number 20 on the Billboard Hot 100 chart. The track spent 11 weeks at number one of Hunt’s 17 in 2015 on the Billboard Hot Country Songs chart, making him the sixteenth artist in the chart’s 57-year history – and the fifth in the past 50 years – to rule for 10 weeks or more. With Montevallo and “Take Your Time”, Hunt became the first country music artist since Clint Black to have his debut studio album and single to peak atop the year-end charts in the same year. Five days after the release of Montevallo, Hunt announced his first tour, Lipstick Graffiti. Tickets went on sale on November 14, 2014. Within a short time of going on sale, the tour sold out at 15 of the venues. In 2015, he served as an opening act (alongside Hunter Hayes) for Lady Antebellum’s Wheels Up tour.

Hunt was featured on Billboard for the issue August 29, 2015, where he opened about breaking down country music stereotypes. He served as a background vocalist on Carrie Underwood’s song, “Heartbeat”, which was released in October 2015. To commemorate the one-year anniversary of Hunt’s debut studio album, Montevallo, Between the Pines was re-released in October 27, 2015, peaking at number 31 on the Billboard 200 chart. Hunt won his first American Music Award for New Artist of the Year on November 22, 2015 in Los Angeles, California.

For the chart dated September 10, 2016, Hunt’s fifth single, “Make You Miss Me” from Montevallo, hit number one on the Country Airplay chart, thus making him the first solo male artist to land four number ones on the Country Airplay chart from a debut studio album.

Writing for Billboard, Elias Leight observed on Hunt’s vocal performance, describing his vocal performance in studio sessions as a “rough, heartthrob voice [that] shines clearly”, but noted that his live vocals “[weren’t] always easy to hear.” Leight furthered by praising Hunt’s delivery to be “a mix of speaking and rapid-fire singing that sets him apart from other country singers,” but commented its impact was diminished because of his live singing. Finally, Hunt’s live performance of “Make You Miss Me” rendered the music writer “the clearest glimpse of his husky mid-range, smooth but rugged voice” in a setting where “there were no beats crowding him or guitars to compete with.”

Hunt’s music contains elements of country, R&B and pop. Dwight Yoakam, while speaking to Entertainment Tonight, commented on Hunt’s music, saying “It reminds me a little bit of, with the infusion of soul and southern R&B, with the things that happened surrounding the album that Ray Charles put out – the very historic album The Modern Sounds of Country Music back in the early ’60s[…] It was a reinterpretation that not only intrigued country audiences at the time, but it brought a brand new audience to the country music world.” His songwriting was heavily influenced by Brad Paisley, whose early hit, “He Didn’t Have to Be” had a big impact on him as a kid growing up in Georgia: “I remember being at church on Wednesday night at Wednesday night supper, and getting the keys from my mom well before it was over to just go sit in the car and to turn the radio on and hopefully wait and catch that song.” He also cites Billy Currington, Usher, K-Ci & JoJo, R. Kelly, Ginuwine and Alice Cooper as musical influences.

Hunt told Taste of Country that he does not write his songs with a specific genre in mind, but rather follows his instinct. “I want to sound different than everybody else,” said Hunt talking about his musical style. “To use a football phrase, I try to zig when other people zag.” Commenting on his interpretation of country music, he told Rolling Stone Country, “I think country songs are truthful songs about life written by country people, but the beats and sounds will continue to evolve.” Billy Dukes of Taste of Country, on observing “Break Up in a Small Town”, referred the song as “likely the wordiest song of 2015” and Hunt’s “most genre-bending release to country radio”, adding “Any talk of which genre Hunt belongs in misses the point. His story hits hard. It’s deep and emotional and sincere and all the things we expect from a great country song.”

In a 2015 interview with Billboard, Hunt remarked on the position of women in his music, “Respect for women was a very important part of my upbringing,” and added, “The women in my life demanded that from me.” Hunt even named his album, Montevallo, after the hometown of a former girlfriend and consulted her in the lyrical production: “I spent a lot of time talking to her about the songs and asking, ‘What do you think about this?’ Her perspective was a powerful part of me being able to connect with a female audience, not just a male audience.”

Luckiest Girl Alive

Luckiest Girl Alive is a 2015 New York Times Bestselling mystery novel written by American author Jessica Knoll and is her debut work. It was first published on May 12, 2015 through Simon & Schuster in the United States and Pan Macmillan in Australia, and is written in the first person narrative. The work follows a young woman that has sought to reinvent herself in her adult life after a series of horrifying events her teen years. During the book the lead character

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, Ani Fanelli, is referred to by several different names, TifAni FaNelli, Tif, and Finny.

In April 2015 Lions Gate announced that they had optioned the film rights to Luckiest Girl Alive, with Reese Witherspoon’s Pacific Standard set to produce.

At first glance the 28-year-old Ani appears to have a perfect life, as she works as an editor at a glamorous women’s magazine and has a loving fiance from a good family. However Ani also hides a secret – during her formulative high school years she underwent a series of horrifying and emotionally crippling events that have continued to impact her well into her adult years – one of which is a school shooting that occurred at her school the prestigious Bradley School. She agrees to take part in a documentary about the event and during the course of the book readers discover that Ani was gang raped when she was fourteen by some of her fellow students. She tries reaching out for help after the rape, but finds little to no assistance or sympathy. Instead Ani is subjected to cruel bullying and taunts by her peers, who do not believe that she was assaulted. As the story progresses Ani begins to question whether or not she is truly happy with who she has become and whether or not this life is truly the one she wants and needs.

While writing the novel Knoll drew upon her own experiences as a survivor from a gang rape that occurred during her teens and the bullying she received afterwards from her classmates. Knoll did not initially make this public knowledge while promoting the book and told fans that she based the book’s rape and aftermath on stories she had heard from others

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. In March 2016 Knoll wrote an essay for the online feminist newsletter Lenny Letter where she wrote about her experiences as a rape survivor

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. She further stated that she came forward after interacting with several fellow rape survivors at book signings, as it ” really killed [her] to see the looks on these women’s faces when [she] would say, ‘Oh no, you know, I just made it up,’ and [she] just never wanted to see that look on anyone’s face again”. Knoll later stated in an interview that she “was so conditioned not to talk about it that it didn’t even occur to [her] to be forthcoming”.

Critical reception has been positive and Luckiest Girl Alive has received comparisons to Gillian Flynn’s 2012 novel Gone Girl and Paula Hawkins’ The Girl on the Train

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. The book received praise from Entertainment Weekly and USA Today, the latter of which wrote that “Recent newsworthy topics create a backdrop that can, at times, make the reader uncomfortable. Yet the visceral tension Knoll creates actually complements the reading experience.”

Gōgen Yamaguchi

Gōgen Yamaguchi et son fils

Gōgen Yamaguchi (山口 剛玄, Yamaguchi Gōgen?), Hanshi 10e dan karaté, est un des membres fondateurs de la prestigieuse Kokusai Budoin. Il est né le , dans la ville de Kagoshima à Kyushu et mort le . À l’école, il pratiquait le kendo et a commencé son étude du karaté avec Maître Seko Iga, un élève de Maître Miyagi, de Okinawa. Ce Maître, pratiquant de Goju, fut séduit par l’attitude sérieuse de Yamaguchi et son goût pour l’épreuve physique. Il lui apprit tout ce qu’il savait du système Goju

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.Yamaguchi a établi son premier club de karaté à l’Université Ritsumeikan à Kyōto

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, tout en poursuivant ses études de droit. Très rapidement, son dojo devint célèbre dans la ville entière pour son entraînement difficile et ses exercices de respiration intensifs.Yamaguchi eut alors l’idée de libérer cette pratique et ébaucha les premières étapes de ce que nous connaissons aujourd’hui comme étant le jiyu kumite (combat libre). Il établit des règlements précis pour codifier les confrontations. Plusieurs de ces règlements sont encore aujourd’hui en vigueur dans le karaté de compétition.

En 1931, Gōgen Yamaguchi rencontre le fondateur du style Goju, le maître Chojun Miyagi. Cette rencontre a eu l’effet d’un profond bouleversement dans les convictions de Yamaguchi sur son karaté. Yamaguchi avait seulement considéré jusque là le côté dur du Goju. Après avoir rencontré le Maître Miyagi, il commença à chercher des sensations autant spirituellement que physiquement. Maître Miyagi fut impressionné par Yamaguchi qui semblait maîtriser l’aspect dur du gōjū-ryū et il le surnomma Gōgen

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. (ce qui voulait dire « Brut »). Chojun Miyagi nomma Gōgen Yamaguchi comme son successeur pour les écoles de Goju-ryu au Japon

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Les années 1935 à 1945 qui suivirent furent marquées par le conflit russo-japonais puis la seconde guerre mondiale. Yamaguchi fut emprisonné en Mongolie pendant deux ans. À son retour au Japon, Yamaguchi est devenu l’un des personnages les plus fascinants de l’histoire du karaté. Ses mouvements rapides et gracieux mais aussi sa position de combat préférée, Neko Ashi Dachi lui valurent le surnom de « chat ».

Les contributions du Maître Yamaguchi au système Goju et au karaté en général sont considérables. Sous sa direction, l’International Karate-Do Goju-Kai Association (I.K.G.A) a vu le jour. Yamaguchi a, de même, introduit les Kata Taikyoku au système du gōjū-ryū afin de préparer ses nouveaux étudiants à aborder des katas plus avancés. Il a également combiné karaté et pratiques spirituelles en incorporant le Yoga et le Shinto dans le Goju-ryu. Il pensait que corps et esprit ont une relation mutuelle qu’il nous est possible d’explorer grâce à des exercices de respiration et de concentration, pour ainsi comprendre l’essence des arts martiaux. C’est pour cette raison que le système Goju présente plusieurs techniques de respiration appelées ibuki. Yamaguchi est un des seuls hommes à avoir affecté si profondément le développement et l’épanouissement du karate-Do. Maître du Yoga et prêtre du Shinto, Yamaguchi a réussi à unifier le go et le ju. Maître Gōgen Yamaguchi, 10e Dan, peut être considéré comme étant une véritable légende du karaté.

Ricardo Buryaile

Ricardo Buryaile (Departamento Patiño, provincia de Formosa, 29 de noviembre de 1962) es un contador, empresario y político argentino. Asumió el 10 de diciembre de 2015 como Ministro de Agricultura designado por Mauricio Macri y paralelamente como diputado.

Proviene de una familia de productores agropecuarios de Salta y Formosa descendientes de franceses que emigraron del Líbano (antigua colonia francesa). La familia Buryaile posee propiedades rurales en Formosa. Su padre es ganadero. Tiene tres hijos. Se ha denunciado que gran parte de su fortuna familiar la habría hecho durante el autodenominado Proceso de Reorganizacion Nacional.

Egresó como Contador público nacional de la Universidad Católica Argentina.

Fue presidente de la Sociedad Rural de Pilcomayo entre 2005 y 2009, y titular de la Confederación de Sociedad Rurales de Chaco y Formosa, entre 2005 y 2006, alcanzó la vicepresidencia segunda de Confederaciones Rurales Argentinas (CRA) en 2007, hasta 2009.

En las elecciones parlamentarias del 28 de junio de 2009, obtuvo una banca, asumió el 10 de diciembre de 2009, integrando el bloque de la UCR. Renovó su banca en 2013.

En la Cámara de Diputados, entre 2010 y 2013 fue presidente de la Comisión de Agricultura y Ganadería, entre 2011 y 2013, secretario Legislativo del Bloque de Diputados Nacionales de la UCR, siendo nombrado en 2015 secretario general de dicho bloque.

En 2011 fue precandidato a gobernador de la provincia por una alianza conformada por la Unión Cívica Radical, el MID, el socialismo, el peronismo disidente y otros movimientos sociales.

En 2014 intentó hacer una alianza provincial con la UCR y algunos peronistas

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, apoyando a Sergio Massa. En 2015 fue candidato a Intendente de la capital formoseña, por la alianza Cambiemos

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.

Ya durante su gestión, en el primer trimestre de 2016 la producción láctea cayó un 3 por ciento, siendo el peor trimestre en cuanto a desempeño exportador del complejo lácteo en ocho años. La combinación de la devaluación del peso argentino y reducción de derechos de exportación a la soja y el maíz empeoró sensiblemente la ecuación de costos de los tamberos y su competitividad. Según la Federación Agraria Argentina habría 3000 tambos en riesgo de desaparición a consecuencia de la crisis lechera de 2016. Raúl Lamacchia, Presidente de la Federación Económica de la Provincia de Buenos Aires, explicó que, «por los nuevos valores de los cereales, que aumentaron alrededor de un 150%, muchos productores porcinos están en crisis. La quita de retenciones originó que el costo del maíz suba un 150% y el expeler de soja un 180%. Esto afectó directamente a los productores porque el 70% del costo del cerdo es la alimentación».

La crisis en economías regionales también afectó a la industria frutihorticola. La Federación Económica de Mendoza aseguró que la suba de la energía y combustible y el ingreso de mercaderías importadas, afectaron fuertemente a productores por lo que había cultivos abandonados. En tanto la Cámara de Productores Avícolas de la Argentina (Capia), alertó a que la actividad enfrentará una crisis por la suba de costos y la caída del consumo y precisó que 10.000 puestos de trabajo directos estarán en riesgo. Así mismo la política de devaluación y baja de retenciones provocó una crisis en productores Pyme de biodiésel por la disparada del precio del maíz. Además, la Argentina importó por primera vez en su historia producción de trigo.

Buryaile tiene embargado su sueldo por una deuda impaga que asciende a casi 700 000 pesos argentinos contraída en 2001, cuando solicitó dinero a un monotributista de Formosa por una deuda en uno de sus campos. El oficio de embargo fue librado por el Juzgado en lo Civil y Comercial 1 de la provincia de Formosa en abril de 2014. En el año 2010, la Federación Agraria denunció que Buryaile había acumulado una deuda de 4,5 millones de pesos con el Banco Nación, que le inició cinco juicios para ejecutarle dos campos que, juntos, ocupan una superficie de más de 10 mil hectáreas.

Tuvo problemas con campesinos locales que lo denunciaron por trata de personas por haber traído presuntamente trabajadores desde Paraguay y mantenerlos en estado de esclavitud sin paga. Debió intervenir la Gendarmería Nacional para que dichos trabajadores pudiesen salir de la finca y regresar a su país.

Cuando fue nombrado ministro de Agricultura en 2015, decidió —al igual que José Cano, designado para el Plan Belgrano— no renunciar a su banca de diputado, sino pedir una licencia. En caso de renunciar, la banca de Buryaile sería reemplazada por Lucila Duré del Partido Socialista de Formosa. La decisión de Buryaile y de Cano fue criticada por las diputadas Victoria Donda y Alicia Ciciliani, quien calificó la acción de «fraude a la democracia» y pidió la renuncia de los diputados.

Is a Jockstrap Good for Cycling?

Exercising requires the right equipment, and for serious cycling, this means more than just a helmet. A jockstrap helps support and protect your most delicate area, allowing you to concentrate on your workout without much fear of injury. A jockstrap isn’t the only supportive option, but it can be a good one for cycling, depending on your preference.
Bike Athletic claims they invented the jockstrap in the latter half of the 19th century. They designed the athletic supporter for the “bicycle jockeys” who rode Boston’s rough, cobblestone streets daily

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. Although the “jockey strap” term is now known by the shorter jockstrap version, the basic design and function remains the same. Just as it helped the bicycle jockeys, it also can help you stay comfortable as you ride.
Bouncing around in your nether region isn’t just uncomfortable — it can be harmful. All cycling involves some amount of bumps and vibrations that transfer through the seat, but mountain biking or riding over rough terrain is worse than sticking to a paved road. The consistent bouncing can lead to problems in your private area including tumors, cysts and infections, according to the BBC website. Strong supportive gear such as a jockstrap helps hold you in place, reducing the chance of embarrassing cycling-related health problems.
For generations, fathers have proudly taught their sons to wear jockstraps during sports and fitness activities. They’re durable, easy to clean and provide a convenient way to position a protective cup when necessary, such as when you play contact sports. But jockstraps are falling out of fashion in some areas, including cycling. While some people swear by them, others find the straps uncomfortable during long rides, citing chafing and moisture retention as problems.
If you try a jockstrap when you’re cycling and don’t like it, try another support option. Most cycling shorts fit tightly, offering different levels of support. These typically offer the additional benefit of a built-in pocket for a chamois pad to help wick away moisture. For stronger support without a jockstrap, use compression shorts, which have replaced the jockstrap for many men, including some professional athletes.

Royal Emerson Whitman

Colonel Royal Emerson Whitman (May 11, 1833 – February 12, 1913), was an American army officer who served in the Civil War, Reconstruction and the Indian wars, best known for his association with the 1871 Camp Grant massacre. He was the father of noted orthopedic surgeon Royal Whitman.

Royal Emerson Whitman was born May 11, 1833 at Turner, Maine, the son of Royal and Sally (Bradford) Whitman. Prior to his military career, he was a saddle manufacturer. He married, December 1, 1852, Lucretia Octavia Whitman, who was born in Maine in 1830. She was a member of another branch of the same family. The couple resided in Portland and Turner, Maine, and had six children: Alice, Alphonso, Royal, William Ross, Henry Hyde, and May. They were divorced in January 1876, in Androscoggin, Maine.

Whitman was appointed Sergeant Major of the 23rd Maine Volunteer Infantry on September 20, 1862, and promoted to Captain March 1, 1863. He was honorably mustered out of the volunteer service on July 15, 1863. He rejoined the service as Major of the 30th Maine Volunteer Infantry on December 29, 1863, and was promoted successively to Lieutenant Colonel on 1 September 1, 1864 and to Colonel on 14 August 14, 1865. He was honorably mustered out of the volunteer service on August 20, 1865

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. He joined the 3rd U. S. Cavalry as Second Lieutenant on July 2, 1867, with a brevet rank of First Lieutenant, United States Army, for gallantry during his previous service in the Battle of Sabine Crossroads, April 8, 1864; regular promotion to the rank of First Lieutenant followed on August 12, 1869. Whitman retired from the army March 20, 1879.

Whitman was a 37-year-old first lieutenant when he assumed command of Camp Grant at the confluence of the San Pedro River and Aravaipa Creek about 50 miles (80 km) northeast of Tucson. The area had previously been home to the Aravaipa Apaches before they had been driven from it by American settlers.

In February 1871 five old Apache women straggled into Camp Grant to look for a son who had been taken prisoner. Whitman fed them and treated them kindly, so other Apaches from Aravaipa and Pinal bands soon came to the post to receive rations of beef and flour. Whitman also arranged for them to “earn their keep” by working as farmhands for the local ranchers as well as extracting a promise from them that none of the tribe would participate in any raids. That spring, Whitman created a refuge along Aravaipa Creek about five miles (8 km) east of Camp Grant for nearly 500 Aravaipa and Pinal Apaches, including Chief Eskiminzin.

Whitman may have suspected that peace could not last. Other Apache bands were continuing their raids at this time, many of which were blamed on the Aravaipa at Camp Grant. He urged Eskiminzin to move his people to the White Mountains near Fort Apache, which was established in 1870, but he refused.

On April 30, 1871, an angry mob of citizens from Tucson and their O’odham mercenaries attacked the Aravaipa camp, killing 144 people. All but eight of the corpses were women and children, as the men had been off hunting in the mountains. The attack was made in retaliation for a Gila Apache raid in which six people had been killed and some livestock stolen. Twenty-seven children who were captured, were sold in Mexico by the O’odham.

Lieutenant Whitman searched for the wounded, found only one woman, buried the bodies, and dispatched interpreters into the mountains to find the Apache men and assure them that his soldiers had not participated in the “vile transaction.” The following evening, the surviving Aravaipas began trickling back to Camp Grant. Many of the settlers in southern Arizona considered the attack justifiable homicide.

Within a week of the slaughter a local Anglo businessman/merchant named William Hopkins Tonge (or Touge) wrote to the Commissioner of Indian Affairs stating that “The Indians at the time of the massacre being so taken by surprise and considering themselves perfectly safe with scarcely any arms, those that could get away ran for the mountains.” He was the first person to refer to what had taken place as a massacre.

After the massacre, a trial was demanded by President Ulysses S. Grant, who threatened to put the state under martial law if the Governor failed to act. However, at the trial that occurred later in the year, the jury took just 19 minutes to acquit more than 100 defendants who were named in the attack.

Whitman retired from the army March 20, 1879. In later life he lived in Washington, D.C. There, on February 11, 1902 in her home at 1449 Massachusetts Avenue, he married Mary Miller Blood

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, daughter of Col. Ephraim F. and Catherine (Seymour) Miller and widow of poet Henry Ames Blood. On August 7, 1905, during a visit by the Whitmans to Portland, Maine, Mary was stricken with apoplexy, dying peacefully on August 8. Her funeral was held August 10 in New Ipswich, New Hampshire. Mary made large bequests in memory of her first husband and son by her first marriage, which were to be paid after the death of Col. Whitman. Whitman died at the age of 79 on Wednesday, February 12, 1913 at his residence, 1449 Massachusetts Avenue NW, Washington, D.C. His funeral was held at 2:00 P.M. Friday, February 14, 1913 at his late residence. Interment was at Section W DIV, Site 49-A, Arlington National Cemetery.

Test de Meares et Stamey

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En urologie, le test de Meares et Stamey, plus rarement nommé analyse d’urine fragmentée, appelé à l’origine le test des 4 verres, est un examen microbiologique visant à déterminer chez un patient masculin la présence d’une infection urinaire ou d’une prostatite d’origine bactérienne. Il fut proposé en 1968 par Edwin M. Meares Jr et Thomas Stamey et se déroule en quatre temps : la récolte des dix premiers millilitres d’urine (celui de l’urètre, le premier jet), des 200 millilitres suivant (celui de la vessie, le milieu de jet), de la sécrétion prostatique après massage et enfin l’urine après massage. Cet examen étant inconfortable pour les patients et chronophage pour les praticiens, il a rapidement été modifié et remplacé par le « test pré- et post-massage », dit aussi « test des deux verres ».

Entre 1920 et 1930, des analyses avaient confirmé qu’une inflammation prostatique pouvait être causée par l’implication de bactéries Gram positif et négatif, laissant ainsi diffuser l’idée de la possible présence de leucocytes et bactéries dans les sécrétions prostatiques. Dans les années cinquante, cette idée fut remise en cause par la possibilité d’une inflammation d’origine non bactérienne. En 1968 est apparu le test de Meares et Stamey qui fut considéré par la suite comme l’étalon or parmi les méthodes de diagnostic d’une prostatite. Cependant, ce test étant laborieux et inconfortable pour les patients, les obligeant parfois à certaines acrobaties

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, ajouté au fait qu’il ne se produit pas systématiquement des sécrétions lors du massage prostatique, des modifications lui ont été apportées, devenant le test pré- et post-massage ou test des deux verres.

Le test se déroule après une période d’au moins trois jours sans éjaculation. Le jour de l’examen, le patient ne doit pas avoir uriné endéans les trois heures précédant le test et doit avoir la vessie pleine. Le gland est décalotté et désinfecté avec une solution savonneuse simple. L’épreuve se déroule en quatre temps : (VB1) récolte de 5 à 10 ml d’urine urétrale dans un premier récipient ; (VB2) récolte de 100 à 200 ml d’urine vésicale dans un second récipient ; (EPS) massage prostatique énergique pendant 1 minute durant lequel les sécrétions sont récoltées dans un troisième récipient ; (VB3) récolte de 5 à 10 ml d’urine post-massage dans un quatrième récipient.

Les volumes de VB1 et VB3 doivent être identiques pour éviter une dilution des germes dans l’un des échantillons. Les étapes VB1, EPS et VB3 sont suivies d’une observation immédiate des leucocytes au microscope et d’une mise en culture. Le test pré- et post-massage ne concerne que les étapes VB2 et VB3 entre-suivies d’un massage prostatique sans récolte isolée des sécrétions.

Note : VB = voided bladder (vidange de la vessie)&nbsp

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;; EPS = expressed prostatic secretion (sécrétion prostatique exprimée). Dans certains manuels VB est remplacé par JU (jet d’urine) et EPS par SPE (sécrétion prostatique exprimée).

Selon une étude réalisée aux États-Unis auprès de 504 urologues, le test des 4 verres est rarement pratiqué pour diagnostiquer une prostatite chronique : 47% des praticiens interrogés ont répondu qu’ils l’effectuaient rarement, 33% ont répondu qu’ils ne le pratiquaient jamais tandis que 4% ont répondu qu’ils l’effectuaient presque toujours. Cette même étude indique que bien que la postatite d’origine bactérienne est rare, le recours aux antibiotiques est fréquent : 40% des urologues interrogés les prescrivent à tous leurs patients et 42% à plus de la moitié

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.

Si l’échantillon d’urine urétrale (VB1) contient au moins dix fois plus de germes par millilitre que l’échantillon d’urine post-massage (VB3), il s’agit d’une urétrite. La présence de plus de 100 000 germes par millilitre dans l’échantillon d’urine vésicale (VB2) est caractéristique d’une infection urinaire vésicale, qui sera traitée par la prise d’antibiotiques pendant deux ou trois jours, suivie d’un nouveau test qui indiquera une infection de la prostate si l’infection urinaire persiste. Une prostatite bactérienne est manifeste lorsqu’il y a dix fois plus de germes dans les sécrétions prostatiques (EPS) et l’urine post-massage (VB3) que dans les échantillons pré-massage (VB1 et VB2), tout comme la présence de 10 à 15 leucocytes par champ à l’examen microscopique.

Suržik

Il Suržik (Ucr.:суржик, che alla lettera significa farina o pane fatto di cereali misti, ad esempio segale e frumento) è un linguaggio misto o dialetto usato da una larga parte della popolazione ucraina. È un misto di ucraino e russo in cui il vocabolario russo è combinato con la grammatica e la pronuncia ucraina.

Il lessico varia molto con il luogo, il livello di istruzione, le esperienze personali

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, la residenza cittadina o rurale e il luogo d’origine. L’influenza del lessico e della fonetica russa cresce verso est e verso sud, e attorno alle grandi città dove si parla russo, come a Kiev, Donets’k, Charkiv, Luhans’k e specialmente in Crimea, dove la maggioranza della popolazione usa il russo standard. Un Suržik con meno influenze russe si parla nelle zone rurali lontane dai centri urbani dell’Ucraina occidentale.

Non è semplice stabilire il grado di mescolamento delle due lingue a causa dell’origine comune e della divaricazione, più accelerata negli ultimi tempi, delle due lingue.

Il Suržik è spesso usato per ottenere un effetto comico nelle arti: vedi ad esempio i testi di Les Podervyansky (attore ed autore satirico) e il repertorio della pop-star Verka Serduchka. Il gruppo punk-rock Braty Hadyukiny canta molte delle sue canzoni in Suržik per sottolineare la semplicità contadina dei suoi personaggi.

Ci sono altri casi di linguaggi misti con l’ucraino nel mondo: il Trasianka, ucraino misto al bielorusso, e l’ucraino canadese, un dialetto parlato dagli ucraini della diaspora in Canada basato sul dialetto galiziano del XIX e XX secolo poiché molti migranti verso il Canada provenivano da Galizia e Bucovina.

Ciascun ucraino oggi parla uno dei molti dialetti regionali dell’ucraino. Il russo, lingua malvista dalla popolazione dell’ovest del Paese, esercita influenza nel sud e nell’est dell’Ucraina. I dialetti locali dell’Ucraina dell’ovest contengono elementi della lingua polacca.

Durante il periodo sovietico, l’uso dell’ucraino declinò specialmente a seguito della politica di russificazione che fu più intensa fra gli anni ’30 e i primi anni ’80; per questo, al di là dei dialetti, un buon numero di ucraini ha una conoscenza del russo formale migliore di quella dell’ucraino formale.

Dopo l’indipendenza

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, avvenuta nel 1991, l’ucraino è per costituzione la lingua ufficiale dell’Ucraina, negli uffici pubblici come nelle scuole.

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